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Doctoral Degree Course - Art and Design Course

A balance of practical and theoretical approaches

The English word “art” derives from the Latin “ars”, which essentially means comprehensive cultural activities including craft, science, and art. In order to return to “ars”, the Doctoral Degree Art and Design Course organically combines the study of art practice and art theory, fields which have traditionally been considered as separate fields. The primary aim of this course is to cultivate talented students who have contemporary creativity, great discernment and leadership qualities.

The study of art practice focuses on the creation and production of art and design, and the study of art theory is devoted to the history and theory of art. In contrast to the Master's Degree Course, which is divided into five courses, the important characteristic of this course is to unify various creative activities into one area, reflecting the prevalent view that these activities are increasingly seamless in art and design.

With the development of technology and advance of academic research, contemporary society needs well-balanced artists and designers who possess both artistic skills and theoretical knowledge. An important element in the development of this kind of creative individual is the “open guidance day”, which is held twice a year. On these special occasions, graduate students present their works or research to the entire doctoral course teaching staff, who provide comments and advice on the students' works and research from different viewpoints. The course prides itself on its curriculum, and the effective balance of practical skills and theory.

Works

Katrin Paul
Working : SchauGenau - Figures and Faces, 2002   
C-print, acrylic, aluminum frame (36 photos)
This is aimed at the human figure and our perception of it.
Appearance, youth, beauty—real and artificial—and the deconstruction of these concepts are the theme of this work.
Doctoral Dissertation : “An exploration of exposure to photography in ‘Anniversaries’ (Jahrestage) by Uwe Johnson and ‘Patterns of Childhood’ (Kindheitsmuster) by Christa Wolf”

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Works
Kuo Jychii
Working : Imagination scape around KOKUBUNJI temple, 2006
ink-jet print on canvas mounted on panel, 84.1×59.4cm
The city structure of Tango-Fuchu in the Muromachi period, medieval times in Japan, is reproduced by computer graphics, including original imagination based on historical materials with pictures.
Doctoral Dissertation : “Quest for the lost memory of cityscape - study in the cityscape of Tango-Fuchu in the Muromachi period, medieval times in Japan, based on Amanohashidate-view by Sesshu (1420-1506)”

Works
Kim Hye-young
Working : The Lives Condensed II, 2005
Browing, 600×600cm
Doctoral Dissertation : “A new approach to the application of primitive motifs to contemporary glass art: The spiral as case in point”

Works
Kim Tae-bok
Working : Fly II, 2006
mixed media, 210cm (5 pieces)
Doctoral Dissertation : “Thought and possibilities of counter-three-dimensional space - study in the extensity of an assemblage”

Works
Li Yan
Working : Departure, 2002
oil on canvas, 227×181cm
Doctoral Dissertation : “What contingency and reason contribute to our fine art analysis of paintings through painting technique research”

Works
Kim Ju-ho
Working : The way which lives logos II, 2005
Zelkova, Kusuki, 90×210×260cm
Doctoral Dissertation : “Noble sentiments: aspirations to artificial nobility in Christian woodcarvings”