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「猟奇」表紙 1946 山名文夫 Japan
多摩美術大学創立60周年記念展デザインの先駆者、杉浦非水、山名文夫と多摩美術大学グラフィックデザインの群像広告デザインの誕生から現代まで
	POEMS, THE GREEN CHILD, THE WANDERER, 27 WAGONS FULL OF COTTON, THE SPOILS OF POYNTON, THE GREAT GATSBY:New Directions 1946-49 Alvin Lustig
Lustig's jackets were allowed to test the limits of book jacket imagery for New Directions, for whom he desigened jackets using abstract, art-based images. Lustig not only created a personality for the New Directions Classics, he advanced the standard of book jacket design through his use of abstract images, often combined with modern typography. The jackets here suggest the influences of painters such as Miro, Picasso, and Rothko. JACKETS REQUIRED An History of Amerian Book Jacket Design1920-1950 : Steven Heller / Seymour Chwast 757.2 / H51-4 published by Chronicle Books ｩ 1995 by Steven Heller and Seymour Chwast
THOUGHTS ON DESIGN, ORIGINS OF MODERN SCULPTURE, DADA: Wittenborn 1946,1946,1950 Paul Rand
Paul Rand introduced modern principles to bool jacket design. His work was design, not illustration. Typography, as opposed to the calligraphy in vogue at the time, was wed to image, ususally photography. Photograms, collage, and montage were his media. Even today, the jackets he designed in the 1940s have a timeless quality because the images he used were not roooted in a style or time period, and the typography was not novel, but functional. JACKETS REQUIRED An History of Amerian Book Jacket Design1920-1950 : Steven Heller / Seymour Chwast 757.2 / H51-4 published by Chronicle Books ｩ 1995 by Steven Heller and Seymour Chwast